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- Maguro Hananuri
- Kuro Negoro Roiro Nuri
- Kuro Negoro Hananuri
- Shû Hananuri
- Pink Aster Flowers
- Daisy Flower Maki-e
- Shibo-Urushi
- Shio Negoro
- Kin Hari Nuri
- Tame Kami Fubuki
- Oshidashi
- Aka Ishime-Ji
- Ogon Ishime-Ji
- Midori Ishime-Ji
- Ao Ishime-Ji
- Kuro Ishime-Ji
- Raden Negoro
- Hakkaizan Ishime-Ji
- Hon Ishime-Ji
- Dairiseki Negoro
- Hoshigata Ishime-Ji
- Tsukigata Ishime-Ji
- Aka Negoro
- Momiji Maki-e
- Dô (Copper Ore)
- Ko Sentoku
- Ô Tamahagane (Rough Iron Ore)
- Tamahagane (Iron Ore)
- Ko Tamahagane (Fine Iron Ore)
- Gold Splash
- Tame Kintsugaru
- Kurama Ishime-Ji
- Red Spotted
- Kin Ishime-Ji
Shû Hananuri
Description:
HANANURI or NURITATE (unpolished urushi)
Another technique that is mainly used on kitchen utensils is called "Nuritate" or «Hananuri». You may also know it from the "Tamenuri" pens from Nakaya. Here, one or more layers of high-quality, transparent urushi "sukurome" or transparent black urushi is applied to a pigmented, finely sanded urushi surface. The Nuritate surface is not ground and polished and therefore any dust must be avoided respectively picked out with a bamboo needle before curing in the «urushiburo». The underlying color can be partially seen shining through the Nuritate layer. The result with high-quality Nuritate is a silky matt finish. The Japanese love to experience how the contact points where the hands touch, e.g. with chopsticks, change color with time of use. "O-Hashi" begin to shine. "Yô no Bi" beauty through use is a typical Japanese aesthetic concept.